In 2008, Doeringer began making larger, more faithful recreations of works of Conceptual art by artists like Sol LeWitt, Lawrence Weiner, Edward Ruscha, and On Kawara. New York magazine called a 2009 exhibition of Doeringer's Sol LeWitt Wall Drawings "perfectly executed" and "a genuine aesthetic experience, not just a knowing scold."
In 2011, Doeringer exhibited his work at Another Year in L.A.; he titled his exhibition "Eastern Standard Time". In one piece, Doeringer copied Charles Ray's 1973 avant-garde photograph panorama All My Clothes. Titled All My Clothes (After Charles Ray), Doeringer's photographs each contain himself standing in front of a white background attired in various clothes. In an interview with the LA Weekly, he said he adapted Ray's general ideas for the artwork, adding that the key distinction between their works is the "East Coast-West Coast divide". Whereas Ray's figure is garbed in a single winter outfit, Doeringer's wears much toastier clothing. Other pieces Doeringer copied and showcased at the Los Angeles exhibition were John Baldessari's Throwing Three Balls in the Air to Get a Straight Line, On Kawara's I Went, Richard Prince's Cowboy photographs, and several of Edward Ruscha's books.
In 2012, The New York Times art critic Ken Johnson reviewed Doeringer's solo exhibition at the Mulherin + Pollard gallery titled "The Rematerialization of the Art Object". In the front room, Doeringer displayed "well-made simulations" of Damien Hirst's spot paintings and Richard Prince's Marlboro cowboy advertisements. In the back room, Doeringer presented imitations of three artists: Edward Ruscha (counterfeit books), Charles Ray (16 photographs of himself wearing various clothes in imitation of Ray's All My Clothes), and Andy Warhol (a film mimicking Warhol's Empire by recording the Empire State Building). Johnson wrote that Doeringer's "distinction is his focus not on canonical works of Modernism but on famous Conceptualist pieces that are themselves art about art". In 2013, the Toronto Star ' Murray Whyte reviewed Doeringer's Survey, "a series of his exacting knock-offs of the late 20th century's greatest art hits". In addition to containing imitations of works by Damien Hirst, Richard Prince, and Andy Warhol, the exhibition also contained imitations of Sol LeWitt's wall drawings and Lawrence Weiner's spray paintings. Art critic Murray Whyte wrote that Doeringer is "less heretic than prophet, putting the towering genius of a previous generation to its own test".
New York Times review of exhibition Eric Doeringer - Paintings and Sculpture by Roberta Smith
Rough Cut video of exhibition Eric Doeringer - Paintings and Sculpture by James Kalm
Cowboy Photographs mentioned in Artforum's The Year In Re: (see #18) by Martha Buskirk, Amelia Jones, and Caroline R. Jones
Toronto Star review Survey exhibition by Murray Whyte.
New York Times review The Rematerialization of the Art Object by Ken Johnson.
Huffington Post review The Rematerialization of the Art Object by Filip Noterdaeme.
Video walk-through The Rematerialization of the Art Object with James Kalm.
Video TEDxChelsea talk Copyright and the Work of Art in the Age of Mechanical Reproduction.